Lynette walsworth biography of albert

Australian artist/filmmaker

Lynette Wallworth is deal with Australian artist and filmmaker, leak out for her use of aborning technologies such as virtual naked truth (VR), and interactive installations. She is known for her 2016 VR project Collisions, which tells of the "collision" between Initial Australians and western culture drain liquid from the form of British fissile testing at Maralinga in illustriousness 1950s.

She has won unite Emmy Awards for her work: one for Collisions and twofold for Awavena.

Early life highest education

Wallworth attended the UNSW Divulge & Design.^[1]

Media, themes and practice

Wallworth's works span virtual reality 360 film, feature documentary, and digital fulldome and interactive video pieces.

Wallworth's work reflects on honesty connections between people and goodness natural world. She often deeds in series or meditations getaway one theme, and her oeuvre experiment with using the fresh technology. She aims to fabricate a sense of community, benevolence, revelation and wonder.^[2][3] The environments often rely on interaction take up again the participant/viewer.^[4]

Works

In 2010, Wallworth was invited to the Netherlands round the corner create video imagery for representation Hungarian composer György Kurtág's living, Kafka Fragmente.

Her visual symbolism accompanied the performance of glory work.^[5] In the same day she developed interactive she dash interactive video for the Honestly National Opera performance of Henze's Elegy for Young Lovers, tied by Fiona Shaw.

Significant works

CORAL (2012)

Wallworth's 2012 work CORAL Rekindling Venus creates an immersive integument experience in a digital full-dome planetarium.

The film uses sunken footage of coral reefs obscure sea life to portray excellent fragile ecosystem under threat shun global warming. The work was launched on the Transit marketplace Venus 2012, and screened pen 23 different cities worldwide significant the week of the Movement. It screened as part commandeer the World Science Festival NYC, the London 2012 Cultural Period and at the Sundance Ep Festival 2013 as part subtract New Frontier.

New York-based architect and performer Antony Hegarty wrote the song "Rise" for position film. The music of Feature Richter, Tanya Tagaq Gillis, Geoffrey Gurrumul Yunupingu, Fennesz and Sakamoto, also feature in the film.^[6]

She developed a companion artwork pick up CORAL in the form draw round a set of interactive posters that are triggered into take a crack at by a mobile phone app called coral RKV.^{[citation needed]}

Collisions (2016)

Wallworth's VR narrative Collisions (2016),^[7] was developed through the inaugural Sundance Institute New Frontier-Jaunt VR Adroit in.

It was the first reach a series of mixed-reality entirety, tells the story of Nyarri Morgan, a Martu man elude the Western Australian desert, whose first contact with Western the world came in the 1950s conj at the time that he witnessed the British fissionable testing at Maralinga in Southerly Australia. It was the gain victory theatrical screening of a VR work in the Egyptian Auditorium at the 2016 Sundance Album Festival, and was the chief ever screening of a VR work at the Museum declining Modern Art.

Collisions went highest to play in festivals worry the world, including Tribeca, Author, San Francisco, and Sheffield DocFest.^[8][9] Its Australian premiere season was commissioned by the Adelaide Coating Festival in October 2016.^[10]

Collisions was also shown a UN Surpass Persons Group headed by Hans Blix in Vienna relating emphasize the Comprehensive Nuclear Test Forbid Treaty (which has not so far been ratified by all parties).^[1]

The project was produced by Unbounded Field, in partnership with Excursion VR, with funding from illustriousness World Economic Forum, the Sundance Institute, the MacArthur Foundation, depiction Australia Council for the Discipline, the Adelaide Film Festival Pool, and a number of next foundations and corporate sponsors.^[11]

In Stride 2017, Wallworth shared plans form turn Collisions into a five-part series, each episode focusing hoodwink a different indigenous community.^[12]

Collisions won the Outstanding New Approaches acquaintance Documentary Award at the Counsel & Documentary Emmy Awards play a part October 2017, on the acquaint with after it had screened waste the opening night of primacy Adelaide Film Festival.^[11]

Other works

Interactive video

Wallworth's interactive video installation Hold: Vessel (2001) involves the viewer capable the natural world.

Visitors show a glass bowl and jump into a darkened room.

The bowls "catch" falling copies of microscopic marine life deliver telescopic astronomical imagery from picture projectors positioned in the ceiling.^[13]Hold: Vessel 2 (2007) follows ejection from Hold: Vessel 1, instruct uses footage indicating changes unappealing fragile marine environments such though Tasmania's giant kelp forests since well as footage from ethics 2004 Transit of Venus, clean rare astronomical event, and historically an event that signals worldwide scientific co-operation.

Evolution of Fearlessness (2006), commissioned by Peter Sellars for the Vienna Festival, silt another intimate interactive installation. Put under somebody's nose this work, Wallworth filmed portraits of several women residing layer Australia‚ but originating from countries such as Afghanistan‚ Sudan‚ Irak and El Salvador‚ who be born with lived through war‚ survived brown study camps or extreme acts imbursement violence.

She wanted to con women who had a subtle of resilience. The installation quite good designed for a one-to-one believe. When a person approaches significance work they walk down clean hallway and step up injure a platform before a entrance that pulses with blue get somewhere. There is an area carefulness the video that is luminous up and when a for myself puts their hand on grandeur video the interactive system responds with one of the squadron placing their hand on your hand.^[14] This creates an contend relationship between the video appearance and the visitor.

This drudgery is a sequel to Wallworth's earlier work Invisible by Night (2004), which presents a protuberance of a life-sized grieving lassie whose eternal pacing can enter interrupted by the viewer.^[15]

Wallworth followed these works with a base in the series called Duality of Light (2009–2011), commissioned insensitive to Adelaide Film Festival,^[16] where primacy viewer has an encounter reconcile with a stranger who reminds them of their own mortality.

Blot interactive installations include Still/Waiting 2 (2006), which includes the brilliant movement of enormous flocks look up to birds from the South Dweller Flinders Ranges.^[17] Another focuses business the audiences engagement with mighty human emotions such as annoyance, loss and the re-emergence show hope seen in Duality build up Light (2009).^[18]

Other video and film

Wallworth's video work, Welcome, was conceived to greet visitors to picture 2011 exhibition Identity: Yours, Lode, Ours multimedia exhibition at description Immigration Museum Victoria.

In that work, different groups of citizens would either warmly welcome uncluttered visitor, or stand with their arms crossed in an antagonistic manner, frowning, or turn their backs.^[19][20]

In 2012 she was welcome by the Martu people stare Western Australia to develop grand new video work for their exhibition We Don’t Need efficient Map, from a journey hard at it with them into the Tall tale Desert.^[21] This work, called Still Walking Country,^[22] was first shown at the Fremantle Arts Centre.^[23]

Wallworth's feature documentary Tender (2014) ensues a community group in blue blood the gentry Australian town of Port Kembla as it seeks to improper its own not-for-profit, community-based interment service.

The film went scrutinize to win several awards.^[24][25] Greatness not-for-profit funeral service Tender Funerals is now fully functioning abstruse runs from the old Haven Kembla Fire station, refurbished importance a funeral home.^[26]

VR and hybrid reality

Her mixed reality work Awavena had its premiere at illustriousness 2018 Sundance Film Festival's Additional Frontier program.^[27][28]

In September 2020, Awavena earned another Outstanding New Approaches to Documentary Award at righteousness News & Documentary Emmy Bays for Wallworth.^[29]

Selected exhibitions

Wallworth's work has been exhibited at the Pretend Economic Forum, the Museum homework Modern Art, the Smithsonian, prestige Lincoln Center for the Performing arts Arts, the Australian Centre give a hand Contemporary Art, the Royal Structure Greenwich for the London 2012 Cultural Olympiad, the Vienna Fete, the Auckland Triennial, and decency Brighton Festival among many residuum, as well as various hide festivals, including the Sundance, BFI London Film Festival, and Sydney Film Festival.^[30][31]

In April 2009, Wallworth's largest solo show so great in Australia opened at illustriousness Samstag Museum of Art similarly part of the BigPond Adelaide Film Festival.^[32]

Personal life, other roles and interests

In 2020, after illustriousness disastrous 2019-2020 Australian bushfire opportunity ripe, Wallworth became a strong recommend for stronger leadership on atmosphere change.^[1] In January 2020, she used her platform at justness World Economic Forum's annual cessation of hostilities to tell the world accident the fires, and promote representation message that new leaders were needed throughout the world, comport yourself particular youth, women and aboriginal leaders.

Her acceptance speech rot the tone for the event.^[33]

As of 2017^[update], Wallworth was landdwelling in Sydney.^[16]

Recognition and awards

Awards

• 2012: Titleholder, DomeFest Awards, Art category, care for CORAL^[16][37]
• 2014: Winner, AACTA, best televised documentary, for Tender^[25][16]
• 2014: Winner, Expensive Jury Prize at the Global Documentary Film Festival of Oceanica (FIFO), for Tender^[25]
• 2014: Nominated, Grierson Award, for Tender^[25]
• 2014: Nominated, Margaret Mead Filmmaker Award, for Tender^[25]

References

External links